The most unique thing about this spaghetti-western is that one of our main hero characters, Trinity, is a black fellow from Trinidad. While this is balanced out by making Sartana the typical blonde-haired blue-eyed type it's still not something you see too much in this genre and it even goes as far as to flirt with the idea of interracial love in a dream sequence. Of course this is also evened out with racial slurs like Sambo etc. dropped here and there. This film is not a sequel to either the Trinity or Sartana films but just borrows the names like so many other movies back then. It's definitely closer to Trinity in the way it feels and you get slapsticky fights(including a really long barroom brawl!), a piano player obsessed with Tchaikovsky and a Mexican bandit who tells us when the movie is over. Not at all for serious western fans but anyone that likes the more comedic style might find it at least mildly amusing. AKA TRINITY AND SARTANA ARE COMING
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