THE MANHUNT (1972)

 This is the 2nd part of Fernando Di Leo's Italian mafia trilogy which includes MILANO CALIBER 9 and THE BOSS. This is a trilogy in theme only since these films aren't really connected plot-wise. Mario Adorf plays our main character here and he's a small-time pimp who becomes a scapegoat for a heroin deal gone bad. He's really good going around giving headbutts to anyone who fucks with him and it's kinda like the reverse of his sleazy low-life role in CALIBER 9. Henry Silva and Woody Strode play two hit-men who are on his trail for most of the movie. If you're at all a fan of eurocrime-type films you need to check out these Di Leo films since they're really the best examples of this genre. AKA BLACK KINGPIN, THE ITALIAN CONNECTION, MANHUNT IN THE CITY, HIRED TO KILL and HITMEN.
 There's also an Umbeto Lenzi crime flick called MANHUNT which also stars Henry Silva but in that one he's in the hero role.

 Released in America by AIP:

ATOM AGE VAMPIRE (1960)

 The original title of this Italian flick was SEDDOK, L'EREDE DI SATANA, which means Seddok, The Heir Of Satan which makes a little more sense than the English dubbed title since there are no vampires in this at all except for this one bat who appears on the title screen who might be a vampire. What you do get is a sort of variation on the old EYES WITHOUT A FACE tale of a lady who gets some horrible facial scars in a car wreck and then hooks up with a mad-scientist-type of a fellow who helps her with her facial problems by extracting cells from ladies that he kills. He also uses atomic energy for this which makes at least half of the title make sense. Also for some reason he turns into a crud-faced monster halfway through the movie to aid in his lady-stalking. All in all this an OK mash-up of weird story elements that always seemed more like one of those crazy Mexican monster movies than anything very Italian but I guess in the early 60's a lot of these foreign horror flicks were kinda similar. 
 The producer credit here is for someone named Mario Fava which seems like a weird misspelling of Mario Bava but I'm not sure if that's true or not.
 The version I watched of this was 86 minutes. There's also a 101 minute version, that I haven't seen, which includes a scene with the mad doctor killing a lady in a bath tub among other things.

LIPS OF BLOOD (1975)

 Jean Rollin churned out a whole bunch of these sexy French female vampire flicks. This one I would say is about average for him. It has the dream-like pacing where Rollin is seemingly in no hurry to tell his story. It has ample nudity from all the vamp-chicks, it has ridiculous neck-biting scenes and equally absurd stakes through the heart scenes. It would be easy to dismiss this except that it's all done so fucking poetically and artistically that it burns it's memory into my brain. Of course that memory is also jumbled up with all the other Rollin nudie-vampire movies but it's still there.
 The plot, which doesn't really seem to be all that important(it's all about the atmosphere), has to do with a guy who's trying to find this gal who was nice to him when he was young. He ends up running around Paris and unleashing some blood-sucking naked ladies. There's one part where he stops off to watch a theatrical-showing of Rollin's earlier THE SHIVER OF THE VAMPIRES, even though the poster outside advertises his THE NUDE VAMPIRE. I haven't seen either of these yet but they both look delightful.
 There's apparently an X-rated version of this titled SUCK ME, VAMPIRE which seems pretty nutty.

SANTA CLAUS (1959)

The legendary K. Gordon Murray brought this weird Mexican holiday film to America and would release it theatrically for many years right around Christmas throughout the 60's and 70's. I have vague, half-remembered memories of actually being taken to see this in a theater by my mom but I was so young at the time that it possibly could have been some other holiday travesty that I saw. This is the story of Santa who lives in the clouds with a bunch of little kids that he uses as slave-labor, a giant telescope to peep on children and his sidekick Merlin The Magician. He also has some creepy wind-up reindeer. Pretty much everything in this movie is creepy including Santa's nemesis Pitch who's a rather effeminate demonic character in a devil costume who encourages kids to do naughty stuff like vandalize storefronts and shoplift. This is such a strange, surreal(African kids wearing bones in their hair and a computer with big Rolling Stones-lips and a dick-nose included) movie that I can't help but give it a watch almost every Christmas even though it's a really bad movie made even worse by the fact that a big chunk of it features a bunch of kids singing terrible songs. Still it might be the weirdest holiday movie ever made with only stuff like SANTA AND THE ICE-CREAM BUNNY or SANTA CLAUS CONQUERS THE MARTIANS even coming close. Check it out if you're a weirdo.
 Luckily there is a Mystery Science Theater version of this out there for added laughs.
 Amazingly this was directed by Rene Cardona who also gave us the super-gory NIGHT OF THE BLOODY APES and many other Lucha-Libre Mexi-classics.


 

MAGIC OF STELL (1986)

 I saw this movie earlier today at a very strange screening. It was strange for one thing because this wasn't the movie that was originally supposed to be shown(the original film was supposed to be the great cannibal-fu classic WE'RE GOING TO EAT YOU which is one of my favorite kung-fu movies ever making me dislike this film right away), secondly the title is supposed to be MAGIC OF SPELL but this is what was on the version they showed, thirdly the final battle scene was missing allowing the audience to make up our own minds about who won this ridiculous battle of good vs. evil. Luckily I have found the conclusion online so I can finally sleep tonight knowing the outcome. The film itself is a complete barrage of stupid, bizarre things thrown at you right from the start. It also seems like a total kiddie film except for the sub-titled cursing and one particular scene where a lady with a bird hand pecks another ladies eye out in a gory fashion. The list of oddball stuff in this is pretty extensive; you get an annoying kid who is a living ginseng root, another guy who's a rhubarb or something, females playing male roles and vice-versa, giant peaches used as weapons, a guy who turns into a giant rock with a chomping face on it, some skeletons that look like cheap-ass versions of the ones in ARMY OF DARKNESS, fighters who are part monkey, part dog and part bird respectively, a blue-skinned demon, some dumb children's music and probably a bunch of other stuff I'm forgetting. The whole thing is based on a Japanese fairy-tale and if you're in a crazy Asian Mother Goose meets martial arts type mood maybe you would dig this more than me. Also this might be the only movie in the world where peaches are bad-ass.

CITY RATS (1986)

 This is basically a drama about a guy losing his son to the mean city streets but luckily it was made in Mexico so they threw in all kinds of cool exploitation(Mexploitation?) elements to make it better. The main one is there's this gang of kids running around mugging, stabbing, lighting on fire, blowing up and generally terrorizing people including the police and an Asian prostitute. Then on top of that you get various sleazy criminal types and corrupt cops. Our main character is played by the writer and director of this, Valentin Trujillo, and although he starts out pretty bland, he becomes quite the ass-kicker once his kid goes missing. I've gotta look for more of Mr. Valentin's work since it looks like he specialized in these gritty low-budget crime dramas.
 On a negative note don't try watching the release of this from VideoAsia since their DVD has some awful fucked-up audio thanks to their shitty transferring process.

AENIGMA (1987)

 This nerdy chick, who kinda looks like Olive Oyl, gets a horrible prank pulled on her, gets smashed by a car and ends up being put in a  coma. From there it's time for her psychic revenge or something. Wait a minute, wasn't there already an Australian movie about a guy in a coma getting revenge called PATRICK? Yes there was and although I don't recall much about that one I do remember the Italian sequel PATRICK STILL LIVES being a super-gory dumb film. This Fulci version of this similar story, mixed with elements lifted from SUSPIRIA, is pretty much a shit-storm of crap. It's filled with really dumb death scenes that belong in a ghost movie which this sorta is I guess. In one bit, that is one of the dumbest things I've ever seen, a gal gets killed by snails crawling on her?? This even manages to top the stupidity of the tarantula attack scene in Fulci's THE BEYOND. Also disappointingly, since this was made by the "godfather of gore", there's not much gore outside of a schoolgirl who chomps on a guy in a dream and some bloody heads that never get explained. Stick with Fulci's early 80's gore films unless you just really like schoolgirls making fun of retards.

Known in Germany as DEMONIA(which makes me wonder what they called Fulci's DEMONIA?(apparently they just used the same title for both films, which I'm sure wasn't confusing at all)):

BLIND RAGE (1978)

                                             "Get off her... sex hungry bastard."

An unlikely group of 5 blind guys, who are also conveniently really good at kung fu, gets put together to rob a bank in the Philippines. One of the gang is that bad D'Urville Martin of DOLEMITE fame who plays a bit of a rape-happy fella here. We get to see how most of these guys became blind which includes everything from acid in the face to the ol' Moe two-finger poke to eyes gouged out with an electric drill. Besides these little shock bits it's fairly standard action movie/martial-arts stuff. Once the movie is just about over and you forget his name was even in the credits Fred "The Hammer" Williamson shows up to save the day in what almost seems like another films ending tacked on to this one. There's an epic battle atop an IHOP restaurant which is obviously L.A. and not southeast Asia. Strangely, unlike just about every other exploitation film I've seen from the Philippines, this was not directed by Cirio H. Santiago.

JACKIE AND THE 36 CRAZY FISTS (1977)

 Most releases of this have Jackie Chan advertised as having starred in it and have his picture all over the DVD or VHS box. Unfortunately for his fans there's no Jackie in any of this as far as I could tell but supposedly he did choreograph the fight scenes so I guess there's at least that connection and a few fights do have that goofy comedic Chan style to them. Overall this is a pretty dull kung fu flick with your basic revenge plot. The only thing that kinda stands out is that there's two teachers and then two heroes at the end who battle the main white-haired evil villain guy. Watch some actual classic Chan movies instead of this. AKA JACKIE CHAN'S BLOODPACT, THE 36 CRAZY FISTS, JACKIE CHAN AND THE 36 CRAZY FISTS, JACKIE CHAN'S 36 CRAZY FISTS, BLOOD PACT and MASTER AND THE BOXER





and there are no ninjas in this either:

THE DEATHLESS DEVIL (1973)

 As with every film I've ever seen from Turkey this is a weird one. It's basically a super-hero movie but it plays like a mix between a 1930's serial(technically this is a remake of a serial called THE MYSTERIOUS DR. SATAN) and a 70's Mexican-wrestling film.  Our hero here, played by someone with the tantalizing alias of Kunt Brix, is a glittery-masked fellow named Copperhead and he has a comedic sidekick who dresses like Sherlock Holmes. His enemy is a very Fu-Manchu like character named Dr. Satan. Not to be confused with that stupid Dr. Satan from those dumb Rob Zombie movies, this guy has a big clunky robot accomplice who looks like he escaped from the set of ROBOT VS. THE AZTEC MUMMY. If this isn't enough for you there's a guy who throws metal playing-cards like ninja-stars and some ladies that don't mind getting nude for our trashy viewing pleasure. Good for a goofy night of insane trash-cinema.

Action!:

FEMALE TEACHER: IN FRONT OF THE STUDENTS (1982)

 This Japanese pink film is the 6th movie in Nikkatsu Studio's "Female Teacher" series which includes other wholesome titles like FEMALE TEACHER: TWICE RAPED and FEMALE TEACHER: DIRTY AFTER SCHOOL. I've never seen any of the others but just reading about them I'll assume they're all pretty similar with maybe varying degrees of perviness as the years went on. This one starts out with a teacher raped in a school shower by a masked man which leads to a bit of mystery. Of course in her quest to find her attacker she manages to get raped by just about everyone she meets. It all ends with our main character/perpetual victim uttering the immortal words "I must have wanted it" which I'm sure has endeared this movie in the hearts of feminists worldwide since. I would recommend this one to perverted Asianphiles who don't require much of a plot to go with their naked Japanese ladies.

A CLIMAX OF BLUE POWER (1975)

 This creepy scumbag pretends to be a cop in order to go on crazy power-trips and rape and degrade women. This is a very sleazy 70's porn that falls into that too-depressing-to-imagine-anyone-ever-jerking-off-to category but I guess degenerates need something to get-off to also. This stars no one recognizable to me except Uschi Digard in a small part and while it's not the most entertaining porn I've ever seen it will probably appeal to most fans of the roughie genre for it's creepy vibe. You get cross-dressing, a woman rolling around in and masturbating in mud and what might be one of the worst car chases in cinema history. Director Lee Frost, under the pseudonym F.C. Perl, started out making weird sex flicks in the 60's like HOUSE ON BARE MOUNTAIN so this wasn't anything new for him. He would also go on to make the awesomely strange BLACK GESTAPO.

DR. JEKYLL VS. THE WEREWOLF (1972)

 This is the 6th film in Paul Naschy's Waldemar Danisky werewolf saga, not that there's really any chronological narrative between the films, and it features a meeting of our Spanish Wolf-man and Dr. Jekyll. Jekyll is played by Jack Taylor in his usual wooden-acting style but it actually works OK here.  That's a few wacky things that take place in this movie. The main one is the sight of El Hombre-Lobo running around England, including tearing up a disco, like some-kinda hairy Jack The Ripper which predates AN AMERICAN WEREWOLF IN LONDON by many years except in that movie the monster was a giant ferocious wolf and in this one it's a guy with a furry head and hands wearing a shirt and pants which looks pretty ridiculous. Later on Naschy also gets turned into a Mr. Hyde-character which robs us of the battle promised in the title but is equally strange to see since he looks like he stepped out of the 30's and this part of the film seems clearly set in the 70's. Story-wise the most absurd thing is that somehow Dr. Jekyll figures out that turning a werewolf into a Mr. Hyde will somehow cure him of his wolf-curse? The mythological-logic here is a little hard to follow. On the plus side we get to see Naschy bear-hug a guy to death using his massive barrel-chest which is pretty bad-ass.
 I've only seen the cut version of this but there is a longer version titled DR. JEKYLL AND THE WOLFMAN so I'm not sure what I missed exactly but it's probably some boobs.

MOON OF THE WOLF (1972)

 This is a TV-movie version of a werewolf movie and it's really not all that exciting. It plays like a mystery for most of the film up until we figure out who the wolf-man is. Geoffrey Lewis who was in almost every show on TV in the 70's and 80's plays a hillbilly here. The monster in this might have the worst werewolf makeup ever which consists of furry gloves, a beard and a cute little black nose. As dumb as it is it's still better than anything produced for television in, at least, the last 20 years.
 This is available on a bunch of cheap-ass dollar DVD's and they always use a much better looking wolf-monster for the cover photo, sometimes just slapping a pic of ol' Lon Chaney Jr. on there just for the hell of it. Very sneaky!

Was Tuesday night really a big movie-viewing night in the 70's?:

FIRE MONSTERS AGAINST THE SON OF HERCULES (1962)

 This mixes the sword 'n sandal flick(though technically these people are more like cavemen so I guess it would be a clubs n' furry booties flick) with the giant monster movie by throwing in a few large rubbery creatures in the middle of a story of two warring tribes. You get a Loch-Ness monster with a lion-face, a big lizard and a three-headed underwater thing-a-ma-jig. The one tribe, the Sun People, get some help from this muscular fellow named Maxxus, who's really Maciste in the original Italian version but re-dubbed here to be an offspring of Hercules. It's pretty funny since every time he says his name it's in a completely different voice.
 There were a whole series of these "Sons of Hercules" movies released to American TV stations in the 60's featuring mostly Maciste movies that I guess they didn't want to bother releasing theatrically.

HERCULES AGAINST THE MOON MEN (1964)

 

 I used to watch a lot of these swords n' sandals movies when I was a kid and set my VCR to record stuff that played at 2am. They were never really my favorite when they would show up. I preferred a nice biker or horror or even a cheap-shit kung fu flick but I'd watch them anyway. The Hercules ones were basically superhero movies set in ancient times. In this one Hercules (who's really Maciste but in the dubbed version they call him Hercules) takes on an evil queen who's in cahoots with some golden-headed, skull-faced character and his henchmen (who are made of rock and come from a meteor that fell from the moon). A gorilla-monster also shows up briefly to get it's ass kicked. It's all pretty ridiculous but might give you a laugh here and there. I also have to imagine these movies were probably pretty popular in the gay community of the 60's with our oiled-up, ripply-muscled hero flexing and posing. So if you dig muscular guys in togas or just absurd B-movies check it out.

  

MURDER BY TELEVISION (1935)

 I imagine the concept of television in 1935 was pretty futuristic and maybe even a little bit scary since probably not everyone knew exactly how it worked. This film capitalizes on that fear and shoehorns it into a murder mystery starring Bela Lugosi. Now throughout the first half of this film I kept thinking to myself this might be the worst mystery ever since if you have Lugosi in the cast you know he's got to be the murderer. Luckily they do throw a twist in for the big reveal to make it not totally predictable. This plays more like a Charlie Chan movie, there's even a Chinese butler character who quotes Chan and Confucius, than any kind of typical Lugosi haunted house flick and just like the Chan films you get a stereotypical black maid who shouts out stuff like "Oh lawdy, lawdy! I dun seen a ghost!" which will either make you chuckle or feel embarrassed depending on your silly political viewpoints.
 Worth a watch if you dig the creaky classics with Lugosi and as a bonus you get a TV death-ray!

DEMON OF THE LUTE (1983)

 I guess the closest thing I would compare this ridiculous kung fu epic to, with it's over-sized weapons and outrageous characters, is an episode of the DRAGONBALL Z anime. It starts out with a saying that this movie is dedicated to children and besides the fact that it features a little kid in a main role it also feels like a crazy daydream of a kid raised on chopsockey movies and comic-books. It does fall a little too much into the overly silly category for me personally but if I saw this when I was about 7 years old this might have been my favorite movie ever. You get all kinds of cartoonish characters including a birdman, a guy with stretchy arms, a bald guy who grows some crazy red hair when he gets pumped up, a fat & skinny elf, a hermaphrodite, an alcoholic named Old Naughty and a whole bunch more. Definitely the most kid-friendly Shaw Brothers film I've seen yet.

DRAGON LEE VS. THE FIVE BROTHERS (1978)

 An evil warlord and his five brothers take on some rebels, among them is Dragon Lee who has some Bruce Lee-sound-alike yells dubbed in while he's kung fu fighting. This isn't the best martial arts film since it gets bogged down in political espionage and has quite a few dull bits. There are some cool elements though including a lady ninja in white who has a hat that doubles as a flying buzz-saw and a guy with a detachable metal hand(very possibly inspired by Mr. Han from ENTER THE DRAGON) who also uses a flying metal hand-fan. The main hero, Dragon Lee, is pretty generic in comparison.
Also this might be one of the coldest-looking kung fu flicks I've ever seen with occasional snow on the ground and frost coming out of everyone's mouth when they speak. This doesn't seem to stop guys from getting shirtless and showing off their muscles during fight scenes though. AKA THE ANGRY DRAGON

TEENAGE EXORCIST (1991)

 Probably the best thing about this movie is it's rockin' theme song which gets stuck in your head. Besides that you also get America's #1 nerd, Eddie Deezan, in a big role which is something you don't see often.
 The plot itself, like everything else in this movie, is pretty dumb. Written by Fred Olen Ray it's a about Brinke Stevens renting a haunted house from Michael Berryman then getting possessed. Then a goofy demon shows up and takes a shower with her naked sister. Then a priest comes along and they do a spoof of the exorcism in THE EXORCIST. Now some zombies appear and finally Mr. Deezan shows up as a pizza-boy which might make you chuckle or just annoy you some more. He ends up having off-screen sex with Brinke which seems strange since he was supposed to be sacrificed as a virgin just moments earlier.
 The title lies to us since there's no teenagers of any sort in this but maybe they were referring to Deezan's character who I'm guessing is supposed to be pretty young. Altogether pretty forgettable if not for the bare boobs and butts and Stevens making for good eye-candy being half-naked and demonic for most of the film.

LUCKY GHOST (1942)

 Before watching this I'd only seen Mantan Moreland in supporting roles in stuff like Charlie Chan movies and the great SPIDER BABY but here he stars in his own film. Apparently they made a bunch of these all-black-cast films back in the 30's & 40's and many of the ones starring Mantan, like MANTAN MESSES UP and MR. WASHINGTON GOES TO TOWN, have been lost over the years. This one features Moreland and his buddy, F.E. Miller, as a couple of gambling bums who win a nightclub by shooting dice then they get spooked by some ghosts and a couple of skeletons. It's all pretty basic and I can't help but feel Mr. Moreland's schtick works better in smaller doses but this movie is only about an hour long so it never feels too tedious. Worth a watch for it's novelty value and just too see what's essentially the first wave of blaxploitation films even though these were much sillier and didn't have much of a social message beyond the most superficial. AKA LADY LUCK
 I've read that Moe Howard had considered Mantan as a replacement stooge after Shemp died and after watching this I can see why he thought he would be a good fit. There's gotta be some crazy-ass alternate universe where The Three Stooges broke racial barriers and are seen as modern-day Abraham Lincolns or something.

THE CLONES OF BRUCE LEE (1980)

 Well this movie certainly would explain where all of the fake Bruce Lee's came from, apparently they're all cloned from the original Bruce's blood by a mad scientist. You get three Lee's here; Bruce Lai, Bruce Le and Dragon Lee. Of course they don't really look all that much alike or even that much like Bruce Lee but if you slap the correct sunglasses on them I guess you can fool enough Westerners to get by. Unfortunately outside of this novel origins of the fake Bruce's story they didn't bother with much more of a plot and just added long fight scenes. There's also a training scene set to music from ROCKY, the great Bolo Yeung sounding a little like he was dubbed by John Wayne, stock footage of the actual Bruce Lee and a crazy bit with a bunch of naked ladies at the beach rubbing oil on their boobs and attacking male passers-by which might have been the highlight of the whole film.

INVISIBLE GHOST (1941)

 This one's kinda weird for a Bela Lugosi flick because he's not a mad scientist or other sort of miscreant and pretty much a nice guy throughout most of the movie. He's really more of a victim who just happens to fall into a hypnotic and psychotic state when he occasionally sees his allegedly dead wife appear to him. You get the typical DRACULA-like walk from Bela and a black butler who gets all the comic-relief lines. Technically, despite the title, there aren't any ghosts in this movie and by their very nature wouldn't ghosts usually be invisible? Also the plot doesn't really make much sense, like why would seeing his deceased spouse set Lugosi on a murder-happy rampage anyway?, but if you like the moldy-oldies this one is OK for a quick dose of Bela goodness.

THE CRIPPLED MASTERS (1979)

 Not to be confused with the earlier CRIPPLED AVENGERS or the later FIGHTING LIFE(aka CRIPPLED MASTERS 3) this is the story of a guy who has his arms hacked-off and a guy who has his legs destroyed with acid that meet up and then get trained by a weird yoga-master guy who teaches them some handicapable-kung fu moves. The main bad-guy here has a scarred face and a strange iron-hump(or is it some sorta magical turtle-shell?) on his back. There's also an iron-headed bald fellow, a sorta-Bruce Lee-rip-off guy and your standard fat bully character. Though not as well-done or inventive in the weapons department as the Shaw Brother's AVENGERS movie it's definitely worth a look for being one of the more oddball of martial-arts flicks.
 These two crippled fellas would go on to be in CRIPPLED MASTERS 2: TWO CRIPPLED HEROES which I've never seen but might have to since apparently they get a  pet chimpanzee in that one which sounds just delightful.

SS CAMP WOMEN'S HELL (1977)

 This isn't one of the best nazisploitation flicks out there but it's also not the worst. It's pretty average in most ways for this sleazy sub-genre. You get the expected women-in-prison touches; multiple shower scenes, big escape scene etc. and then they throw in some torture-porn type stuff with our nazi-doctors setting live women on fire to try and find cures for burns and a few bits that look like they were inspired by MARK OF THE DEVIL including a head-crushing and a tongue-removal. Oh and some actual footage of World War II concentration camps in case you were still in a good mood after all that. In between all this excitement there's boring parts involving a Jewish doctor, rape, abortion and organized prostitution. One memorable scene involves a black prisoner with a strap-on banana pleasing her Aryan captor. At least these movies will never be accused of being too P.C. for anyone. AKA SS CAMP 5: WOMEN'S HELL and SS LAGER 5: A HELL FOR WOMEN.
 Director Sergio Garrone specialized in these lurid nazi/prison films. He also directed SS EXPERIMENT LOVE CAMP and wrote screenplays for a whole slew of women-in-prison films including THE BIG BUST-OUT, HELL BEHIND THE BARS and HELL PENITENTIARY.

TRINITY GOES EAST (1998)

 If you want to see a kung-fu flick mixed together with a re-imagining of the classic Trinity spaghetti-western movies this would be the place to look. Unfortunately the only thing they kept from the westerns is the music and the Bud Spencer/Terrence Hill characters. These aren't the best interpretations of these two fellows I've seen. The Trinity character, played by someone named Steve Tartalia, is particularly repugnant. I guess since it was the 90's he resembles Zack from SAVED BY THE BELL more than he does the gun-slinging hero of the 70's films. The Spencer Bambino character, played by a fat man named Roberto Lopez, is slightly better although he never gets the head-bonking right and for some reason here he has a pet pig(that's sometimes a hand-puppet or stuffed animal of some sort) that I think is supposed to tug on our heart-strings(yuck!). There is also a Bruce Lee-rip-off character(played by an actor with the cool name of Sky Dragon), a take-off on the Lone Wolf and Cub movies with a pig in the cart instead of a baby, ninjas and dragon-balls. Bambino also copies the old "don't laugh at my mule" speech from FISTFUL OF DOLLARS. All these homages and rip-offs just make me want to go watch the originals instead of this. Only worth a watch if you wanna see a chubby fella kung-fu a bunch of ninjas.


Fighting in their pajamas:

KID STUFF (1975)

 I have this movie on a DVD box set of spaghetti-westerns which is a little strange since this isn't a western at all but a modern-day(modern-day of 1975 anyway) comedy about two bumbling idiots who unwittingly get involved with truckin' guns for the Mafia. Apparently they were trying to emulate the slapsticky Trinity-westerns with Michael Colby in the Terrence Hill-role and Paul Smith(from POPEYE and PIECES) as the Bud Spencer-type character. In fact Smith was billed as Bob Spencer in the American ads for this, which is something he ended up suing the filmmakers over. While I am big fan of those original films this one is really overly dumb and really only worth watching if you want to see Smith do an impression of Spencer right down to his patented head-bonking. AKA CONVOY BUDDIES
 There's also a sequel to this called THE DIAMOND PEDDLERS which I'll probably check out at some point since it's also on this set of westerns where half the movies aren't even in that genre.


Wacky hi-jinks!:
 

THE REVENGE OF TRINITY (1970)

 The title lies. While we do get the guy who played Trinity in a bunch of movies, Terrence Hill, he's sure not playing him here. In fact he's about as super serious as can be and this movie is about as far from a comedy as possible. It's also one of those political spaghetti-westerns(technically a Spanish/Italian western) which are my least favorite type. This one concerns some peasants fighting against a corrupt rich fellow. When I say "fighting" I mean mostly just talking about stuff and the occasional gunfight. If, like me, you enjoy westerns where more exciting stuff actually happens you might want to look elsewhere. To top it all off the DVD I have of this looks like crap also which didn't add to my enjoyment. AKA THE WIND'S FIERCE, THE WIND'S ANGER(both more suitably dull titles) and TRINITY SEES RED

UNCLE SAM (1996)

 Before viewing this I was excited to see William Smith top-billed on IMDB, unfortunately he gets whacked before the title even shows up, so I'm not sure why he's the first actor listed in the credits on there. I knew right away that this was a bad sign and the rest of the movie didn't give me much more reason to get excited. It's just an overall very stupid movie about a veteran who's back from the dead, dressed up like Uncle Sam and killing people in pretty dull ways. I guess if you really need to see a Fourth Of July-themed slasher movie watch this but don't expect much gore or any kind of a half-way decent film. It does keep in tune with the rest of the horror-crap that the 1990's spewed out. The sad thing is that there is a decent cast in this including Isaac Hayes, Robert Forster and PJ Soles but the only one who really stands out is Bo Hopkins as a sleazy general character who makes a habit of banging the widows of those K.I.A. He also isn't in the movie enough to matter though.
 Director Bill Lustig, who's films MANIAC and VIGILANTE I really love a lot, was at the screening of this that I attended last night and gave a few reasons why this didn't turn out the way it was originally intended including the budget limitations and the script being rushed. Lustig's original intention was to make this something closer to DEATHDREAM which certainly would have been a better template than trying to copy every bad slasher movie trope from the late 80's/early 90's was. He also said that there was some demand for a sequel from the distributors(this was released direct-to-video when it first came out) luckily that was never made.

THE PROWLER (1981)

 Tom Savini does what's some of his best gore-FX work in this 80's slasher. You get lots of nasty slashings and stabbings with a pitchfork and a bayonet, head explosions and other nasty gunshot wounds. After seeing this on VHS and DVD a few times in the past I finally caught this in a theater last night at the bottom of a horror triple-feature and while I always enjoy seeing a good bloody stalk-and-kill flick this has never really been one of my favorites mainly due to the fact that outside of the amazingly gruesome sequences there's not a whole lot going on that you care about. I mean the characters are completely forgettable and even though I've seen this a bunch of times I can never recall who the killer is because the story doesn't really make much sense. I mean if this is the same killer from the 40's and now it's the 80's wouldn't he be a little old for all this strenuous murdering and rampaging? Also Lawrence Tierney is totally wasted here as a peeping-Tom/pervert in a wheelchair who doesn't do much of anything. I know slasher flicks don't generally have great characters or stories but at least they usually throw in something memorable or relate-able and outside of the crazy World War II killer soldier and gore there isn't much of that here. Still if you're a fan of the classic-era of slashers you should probably check this out anyway. AKA THE GRADUATION and ROSEMARY'S KILLER(this title is weird because it seems to be a play on ROSEMARY'S BABY which this is a pretty far cry from). Director Joe Zito would go on to make the more exciting killer-on-the-loose movie FRIDAY THE 13TH: THE FINAL CHAPTER.

DEAD OF NIGHT (1972)

                                        "I died for you... the least you can do is die for me."

 This has to be the weirdest zombie film(or is he a ghost or some sorta vampire?) and at the same time one of the weirdest crazy Vietnam Vet movies. Directed by the great Bob Clark who also gave us the classic BLACK CHRISTMAS and the wacky CHILDREN SHOULDN'T PLAY WITH DEAD THINGS, before going mainstream, this is the story of a soldier returning from a battle in which he may have been killed. Things aren't spelled out that clearly though and it's all done in a cool CARNIVAL OF SOULS-ish way where we're not always sure what the hell is going on. This is a good example of a movie that takes it's time but never really becomes boring. Everything is done well from the acting to the creepy atmosphere. This is obviously an allegory for the returning veteran and how they feel dead inside but taken to a more literal level. More intelligent people than me could probably write long essays about this aspect of the film. For me though it's just an awesome dark-trip through an inverted-nightmarish view of the American family.
 Apparently Christopher Walken was an earlier choice for the lead role which probably would have been awesome but I think Richard Backus here is pretty spot-on in his portrayal. It's too bad he went on to TV stuff and didn't make any more features after this. Tom Savini did the makeup FX work on this but there's not really much in the way of gore. There's a great scene of mayhem in a drive-in theater showing a double-bill of DEATH IN SPACE and THE SPACENAUTS, unfortunately I don't think these were real movies. AKA DEATHDREAM, NIGHT WALK, THE NIGHT ANDY CAME HOME, WHISPERS and THE VETERAN

SATAN'S SEX SLAVES (1971)

     "Render up your eternal soul to me. Is it a deal?" "Yeah, what the fuck? Why Not?"

 This guy with his face painted red and white like Two-Face from Batman, who hangs around renaissance fairs and I guess is supposed to be either Satan or Satan's helper, goes around helping horny people get laid and curing impotence for the exchange of souls. Of course this is all just an excuse for some uninspiring 70's porn sex scenes. You get pretty basic humping and a little vagina-petting lesbianism thrown in. Gay porn star Rick Cassidy is the main male lead playing a straight fellow. The version I watched of this was only about an hour long and I'm not sure if there's a longer cut in existence out there but this one seems quite long enough. There's also a softcore-version known as THE LUCIFERS released on Something Weird Video which seems like it would be an even worse thing to watch.

PREPARE A COFFIN! (1968)

 Unlike almost all of the other DJANGO-Rip-off movies out there this one is sort-of an official pre-quel to the original movie. It actually features the character of Django and was originally  supposed to have starred Franco Nero. Instead of Nero though we get Terence Hill in the lead role and while he's not bad, after seeing him in so many comedy-type westerns, it's sometimes hard to take him super seriously here. The great George Eastman also appears in his usual role of a large bad-ass villain.
 There's not really much here plot-wise that's all that unique. Django's wife gets killed, he becomes a hangman and a bunch of gold is fought over. It does get a little exciting when Django's Gatling-gun shows up but you have to wait almost the whole movie for that. This is only really interesting as a footnote to the vastly superior original iconic spaghetti-western classic. AKA VIVA DJANGO, DJANGO SEES RED and   DJANGO, PREPARE A COFFIN.

RED ZONE CUBA (1966)

 This movie is just fucking terrible! I mean there's just nothing good to say about it. It's got sort of a film-noir feel to it but it has to be the most boring film-noir I've ever seen. It stars a big, goofy,  Curly from The Three Stooges-looking guy named Coleman Francis who's also the writer and director of this crap as an escaped con who ends up in Cuba as part of a Bay of Pigs-inspired invasion. The worst thing in this whole movie, besides the dumb plot, abrupt editing and horrible camera work, might be Coleman's acting style which is the most dreary, dull, lackadaisical thing you might ever witness. Every scene is like a chore to get through and the only way I made it through to the end was because I saw this on an episode of Mystery Science Theater, otherwise it would probably be impossible. John Carradine shows up for a hot second and then wisely disappears. Almost anything is a better choice than this.  Even Coleman's previous film THE BEAST OF YUCCA FLATS, which is also very crappy, is a better watch than this. AKA NIGHT TRAIN TO MUNDO FINE

The only positive thing in this whole film is the awesome theme song sung by Mr. Carradine himself:

BRUCE VS. BILL (1983)

 First off there's no character in this kung-fu movie named Bruce or Bill. Obviously they're referring to the actor's names of Bruce Le and Bill Louie even though those aren't their real Chinese names. Bill Louie is a particularly stupid-ass alias since it sounds a lot like Balooey when spoken out loud and that doesn't really make me think of a tough martial arts master but more of bumbling doofus. The Bruce Lee-rip-off character here, Bruce Le, acts like a complete dick through almost all of the movie. This seems like a bad choice to portray one of your main heroes as an ass-hat but OK. Also he has a pet bird that he travels around with which is another thing that makes me not think of a tough street-fighting ass-kicker. They do start out fighting before having a change of heart and joining forces so at least the title didn't lie to me.
 The movie itself starts out with a guy getting his hand chopped off and from their things get pretty generic with the mob looking for some keys to a treasure chest or something with just a sprinkling of oddball elements thrown in to keep it from being a total snoozefest. The main white-guy villain has a ridiculous painted-on mustache, there's some hatchet-fu on top off a moving train, our heroes are tied to train tracks like they're damsles in distress in a 1920's serial and there's lots of chopsockey. There's way better more over-the-top Bruce Lee-wanabee flicks than this, like this one here for example, that you should check out first.

En Espanol!:

SHAO LIN MARTIAL ARTS (1974)

 This classic kung-fu movie starts out in a pretty standard fashion with two warring factions, Shaolin and Manchu, fighting over who's fighting style is best. From there it goes along pretty straight-forward up until they throw a monkey wrench into everything by killing off a couple of main characters who we've watched train for a long time. I think the best thing about this film is how completely bad-ass and unbeatable they make the villains here. I mean one guy is basically completely invulnerable by making his entire body, including his crotch, hard as steel. The other guy kills people by letting them punch him and then sending all their energy back at them. The film is kinda on the long side since it pretty much starts over from scratch after all our hopes are crushed midway through it's run-time. But it's all worth it because when you get to the big finale you get to see a guy's guts ripped right out of his body and another guy's eyes poked out in a bloody tribute to Moe Howard.
 A bit confusingly this is produced by Run Run Shaw but isn't officially credited as a Shaw brothers film. Instead it carries the "Chang's Film Company" moniker which I'm assuming is an offshoot for director Chang Cheh's flicks.

NORTHVILLE CEMETERY MASSACRE (1976)

 I'll pretty much watch any movie with the word "massacre" in the title and usually this means you're gonna get some type of horror film. In this case you get a biker flick but there is an actual massacre that happens in the movie so they're not lying. The plot involves a scumbag police officer beats up and rapes a hippie chick and then blames it on this biker club. From there on it's open season on bikers and it all ends up in a big Vietnam-metaphor ending with a helicopter and grenades and lots of bloodshed. Probably my favorite thing about this movie is that the sleazy bikers are the heroes, or in this case the victims, of the story and the authority figures are shown for the phony, corrupt, murdering lowlifes that they often can be. Of course it takes lots of scenes of bike-riding before we get to the good stuff but that's the way most of these 70's biker flicks go.
  The wacky music in this is done by Michael Nesmith of The Monkees. This was apparently shot around 1972 and not released for a few years for some reason. Strange since the whole Vietnam-allegory thing might have been more powerful while the war was still going on. AKA FREEDOM: R.I.P. and WHEELS OF DEATH



Played on a weird drive-in double-feature with this obscure Mexican vampire flick:

THE KIDNAP SYNDICATE (1975)

Fernando Di Leo directs this crime-drama about a guy who's son is kidnapped. While it's technically a Eurocrime film it's really more of a revenge story focusing on one man's quest for justice more so than with the mob or anything like that. The story is similar to the one in Kurosawa's film HIGH AND LOW and though I've yet to see that one I imagine this is done a bit more gritty. It's got your standard car chase scenes, gun-fights and a crazy prog-rock soundtrack complete with wild flute-playing. While this isn't my favorite Di Leo flick(some of the plot-twists don't make a lot of sense) it's still done well enough and has enough emotional impact to make it worth a watch.

AKA DIRTY DEAL(the music in this preview is way more 80's than anything in the actual movie itself):

NERDS OF A FEATHER (1989)

 If you mixed a shitty spy-movie spoof with an exceptionally stupid sex-comedy(that doesn't really have any nudity in it) you would get this. It consists of a love story about a couple of idiots who are pursued by a bunch of Russians including a gang of midgets. There's also a dog that narrates the film sometimes, a guy in drag that looks like Milton Berle playing an old gypsy woman, a bunch of old bikers, comedian Pat McCormick as a Soviet escapee, a couple of fat people that eat a lot and lots of horrible, horrible un-funny jokes. This was originally supposed to star David Carradine but he wisely stayed out of it and instead you get what might be one of the world's worst actors, Mario Romeo Milano, who's also the writer and co-director here. A man who's annoying to look at and seemingly gay but playing a straight fellow. Also he's not even a nerd as the title promises but just a clumsy oaf. Crap-movie specialist George "Buck" Flowers shows up in a small part. This was released on video by Troma which is pretty appropriate since they have tons of dumb crap like this available. There are way better stupid movies from the 80's with actual boobs in them that you could watch instead of this.